Category Archives: Field Reports

Making “WAVE”s or Going with the Flow? – Pinay Thoughts on Marvel’s new Filipina superhero

I posted my first reaction a few days ago upon seeing the first look poster of the very first Filipina Superhero from Marvel.  Since then, some discussion went down over on my Facebook Timeline.  Somewhat heated debate between me and a white Facebook friend (not RL friend) trying to parse out our understanding of the data: that Tagalog is both a Language and a group of people; that people with Spanish heritages are less than 1% of the population; that the artist, although Filipino, displays largely western, marvel influenced comic book art styles, etc.  I definitely outright challenged this white friend’s recollection and knowledge — and also pointed out that her 4-year living in the Philippines as a white person does not give her the same lived experiences as Filipina or Filipina Americans.

In the end, what matters here is not how this one white friend responded, but what my two Pinay educator friends had to say.  In the spirit of being called in (since I’m not Pinay) and calling others in, I’m reposting their salient comments here.  I’d really like to encourage Marvel and the creators of the new diverse superheroes to be courageous: this is uncharted water, but you have the resources to make large waves: do your due diligence and stay true to the cultures you’re representing even if they could be unfamiliar to western eyes.  Create something fresh and unlike all the previous superhero stories!  Don’t just do the same-old, same-old with merely changes of skin tones and costumes! (And please no resorting solely to “oriental mysticism”!)

Maria is an elementary school librarian who also produces and hosts a Theatre Review Show on YouTube to highlight work primarily by women and POC playwrights, actors, directors, etc. :

Maria Paz Alegre Hey all  Pinay here. I’m Kampangan and Tagalog – though little known outside our country, Tagalog is indeed both a language and a people! Props to Roxanne for shining light on that little known fact. TBH my fam usually refer to ourselves as Manilenyos first, a nod to our capital city. I believe Tagalog can be compared to the word “English” – both a language and a people. The idea that we are strangers to our own land, coming from Spain and Polynesia to conquer is false. We’ve ALWAYS been there. Been there long before King Philip and long before Christ. Source: myself, and if experts are needed, my father Edilberto N.Alegre- an award winning scholar and PhD of Filipino Cultural Anthropology. His books are often required reading at the University of the Philippines where he taught for several decades, but feel free to google him if you like.

I’m also the one who made the spray tan comment. I stand by it and it appears I may need to explain.

I was ELATED AF to find out that Marvel made a Filipina superhero, only to feel a kick to my gut when I saw her. If you know my country, then you know all about the systemic bigotry derived directly from white colonialism. The bleaching cream, the rhinoplasty, the upper eyelid surgery, you name it… I cannot stress the havoc that this western standard of beauty has wrought on my people, especially on indigenous tribes like the Ati.

Are there mixed Filipinos with western features? Sure! But they often make up the 1% and are almost always the rich and elite. They do not look like the vast majority of my country people. My stepmother (Joycie Dorado Alegre) has been the Commissioner of the National Commission in Culture and the Arts to the Visayas and Mindanao and she personally worked on campaigns to encourage that “Black is Beautiful. Brown is Beautiful. You are Beautiful.” It’s been a very rewarding but very uphill battle.

So yes, to see the first representative of my race in Marvel with Eurocentric features? It sucks and it hurts.

Spain wins again. America wins again. The Filipinos must take a hit and live to fight another day, again. And while a Pinay character may be a step in the right direction to you, it greatly disappoints me and many others that she doesn’t look like like one. They could have done better.

Justine is a Health and Wellness educator whose Decolonizing Beauty Standards workshop at the People of Color Conference (for educators in Independent Schools) was the highlight for many attendees two years ago:

Justine AF Yo! Pinay here too and glad this convo is happening so thanks Roxanne Feldman for your allyship. I’m feeling like all I need to do though is clap and bow down because Maria Paz Alegre just crushed it with her eloquence. But since I rarely can keep quiet, I’ll add my 5 pesos here:

1. Yay that Marvel is naming a character an identity that matches one of mine.

2. Boo that she looks like the beauty ideal I’ve been told to emulate for most of my childhood. Unless Wave has that nose because her Tita was right about clothes-pinning it and she obeyed, she is the 1%

3. Interesting that the Cebuano artist drew a Pinay that had the more expensive body alterations done when they could’ve just drew the cheaper and more common one by applying Eskinol lotion to lighten herself up.

4. Decolonizing the beauty ideal is not dunking your face in Hawaiian Tropics oil. We’re more than a skin tone.

5. There better be some real Pilipinx words and cultural practices that aren’t all Spanish and American influenced in this screenplay to make up for this. Just saying.

P.S.

And a week later, our differences in opinions did not get reconciled.  Instead of seeing what my Pinay friends expressed, that it would have been wonderful to see a more representational Pinay character, she posted this picture and claims that the woman on the right most “has basically the same shape face and brows of the comic character.”

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Perhaps this the case of seeing what you want to see and refuse to see what you don’t want.

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I alwo wonder why instead of seeing how most of these women do not look like the artist’s imagining of Wave, this Facebook friend decides to hone in on the one that, to her, makes the point.

 

 

 

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Marvel’s New Filipina Hero – WAVE (First Reaction)

(Reposting from my Facebook)

Good and Bad News at the same time?

YAY – Marvel is debuting a Filipina superhero — WAVE;
HUH? – Why does she look like a Euro-White lady with tan skin?

And the artist is Filipino…

Reported as having “identifiable Filipino “morena” skin” …. my Filipino friends — what are your thoughts?

wave.jpg

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The Whiteness of My Profession

Over at Heavy Medal: A Mock Newbery Blog – a commenter noticed that the nineteen Heavy Medal readers who volunteered to read and participate in discussing and choosing our 2019 Heavy Medal Award winners/honorees all identify as White.  I wrote my longish response in a comment there and repeat the words here:

The predominately white Committee (with Steven, white, and myself, Asian/non-white, serving both as manager of the blog and occasional commenters starting January) simply reflects the librarian profession as a whole.

Here’s the finding from ALSC itself in 2016 via an Environmental Scan study of librarianship in the U.S. (Note, the Librarianship counts are almost 10 years old by now so hopefully the number has increased.)

“The overwhelming majority of librarians, including children’s librarians, are white women. Librarians are disproportionately white compared to the population of the United States as a
whole, as demonstrated by the “Librarians and US Population” graph that follows (Librarian data from Diversity Counts 2009-2010 Update; US population data from “Outreach Resources for Services to People of Color”). It is clear from this graph that people of color and Native/First Nations people are grossly underrepresented in the field of librarianship.” — The graph shows the following:

88% of Librarians are white and 12% are non-White: 1.8% are Latino, 6% are African American, 3.8% are API, and 0.4% are multi-racial or Native American.

So, out of 21 people (including Steven, white, and Roxanne, Chinese,) we should have 2.5 persons who are “non-white” – we have 1, making it 4.7% diversity: if we only look at race. If we look at other factors, gender (5% of the profession is male, and we have 4 members identify as male, making 20% of the membership.) We also have some diversity in political views, abilities, ages, sexual orientation (openly identified or not,) professional focus, etc.

This brings me to explain an important process during the Committee formation to balance representation so Committee members look MORE like the nation and the children our professional serves than the profession itself. ALSC, through members and the Board, intentionally balances the representation of each Committee (Newbery, Caldecott, Bepre, Sibert, Notables, and many more,) through both the voting and appointment processes.

We here at Heavy Medal do not use any balancing mechanism. If no Heavy Medal Readers of Color volunteer to serve, then we have no HMAC Members of Color to participate. Do you think we should have pushed during the call for participation to encourage more readers of color to sign up for this process? I am curious to what outcome would have been then.

Last year’s Newbery Fifteen included three (counting me) Asian participants — we did not have any African, Latino, or Native American participants, either. Or could it just be very possible that we do not have many/any Readers of Color — and this is merely a parlor game for white (and Asian) children’s literature enthusiasts?

Much to think about.

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No More Laura! And the controversy begins…

Yesterday/Last Night, youth librarians, young readers authors and publishers gathered in the Hilton, New Orleans, Grand Ballroom to witness and live a historical moment.  In the room that held a thousand, we united and cheered in the decision (long in coming, and long overdue) to update and change the name of the life-time achievement award administered by the Association for Library Services to Children (ALSC).

The Wilder (Laura Ingalls) Award has been given to an author or illustrator who has made, “over a period of years, a substantial and lasting contribution” to American children’s literature since 1954.  In recent years, however, the name of the award has prompted the Association to examine its implication, especially when it comes to Wilder’s portrayal and sentiment about Native Americans (Indians) and Black Americans in her classic Little House series.

Read about the decision to update the name of the award to Children’s Literature Legacy Award and the divergent opinions (in comments) from the general public here:

http://www.alsc.ala.org/blog/2018/06/childrens-literature-legacy-award-alaac18/

I, for one, applaud the decision and am proud to be a part of an organization that continues to examine practices that should no longer be upheld as we honestly face the reality of this nation’s history.

 

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ALA Annual Conference – New Orleans

I’m volunteering to Live-Blog my ALA attending experience for ALSC.  Check it out here:

http://www.alsc.ala.org/blog/

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Kirkus Collections – Diversity in Children’s Books: A Searchable Database

Children’s book review editor at the Kirkus Review wrote an introduction to its ambitious, and hopefully highly functioning and useful database.  Please read!  The Collections will only grow as more books are published and added to the Database.

Public Librarians and Booksellers with Baker & Taylor accounts will be able to access the full Database.  Alas, it is not available to me (school librarian using Follett, even though it owns Baker & Taylor.)  *sigh*

They are also going to publish, one article a day, in October, a series of essays by authors, librarians, and scholars, expressing diverse viewpoints on the Diversity landscape of children’s literature.  Can’t wait to read them all!

 

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Dear White People: It Is Up to You to Undo Racism (with help and guidance from People of Color)

In early July, I attended a week-long educators workshop offered by the National Museum of African American History & Culture.  (With daily access to the museum’s collections before it opened to the public!)

There were more than 30 attendees and five master teachers, with 2-3 guest speakers a day.  We unpacked many topics, from the dehumanization of the African American slaves to self-reflection of what is Whiteness in the 21st century America and how as educators we must examine and incorporate true history and social justices into our curriculum.

After a particularly impactful day, with one of my New York City Independent School colleagues, Erica Corbin Rodriguez leading the workshop, I went back to the hotel and texted with a friend who was a former student and also a fellow-teacher at Dalton.  He is a 24 year old white male and I have his permission to post our conversation here: I’m the white text with blue background and he’s black text with gray background.

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As the 2017-18 school year starts tomorrow for all our students, I am constantly reminding myself that it is my responsibility to keep social justices front and center in my curriculum and my interaction with students. This one former student is not a unique or singular case: he is one of many responsible, compassionate, and self-reflective white men and women that we hope to “unleash into the society” and make the world a more just and loving place.  And just as he said, he is responsible to undo racism, more so than any person of color.  He and many others will need constant dialogue and guidance — let’s work side by side to achieve our common goal: equality for all.

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Book Critic AND Book Champion

There was a discussion last year about how some of us are “book champions” and others are “book critics.” The implied conceit is that somehow, these two roles or temperaments are mutually exclusive.  A great summary with her views and links was published on Monica Edinger’s “Educating Alice” blog: The Championship Season.

After much self-examination, I know that, I too, would like to maintain both traits – not as if they’re the two ends on a continuum: if I move toward one end, I’m leaving the other end behind.  I’d rather imagine them as baking ingredients which must work together well with just the right amount of each.  I hold that it is imperative to examine all aspects of any book I encounter and critically evaluate them: pointing out what works really well and what has perhaps fallen short when engaging in discussion of a book: whether in person with a friend, online on a blog, in print for a magazine, or as a member of an award selection committee.  However, it is equally important to have a lot of passion and love and express such support vocally and often, especially when working with the target readership.  I often joke with my students that I’m just a paid book pusher: starry-eyed and eager when recommending titles.  I will never shy away from praising a good book and champion for great themes, outstanding literary styles, convincing world-building, and layered character development.

That’s why I point out inaccurate racial representations; that’s why I discuss whether the use of certain narrative devices supports the plot or the theme; that’s why I talk and write about books I’m crazy in love with but also about books that raise questions and concerns.  I’m not going to choose between the two:

I consider myself a Critical Book Champion!

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“Read a book about a character who doesn’t look like me” as viewed by an East Asian parent

For the second year in a row, I posted Children’s Literature Ambassador Gene Yang’s Reading Challenges (Reading Without Walls) as a preamble to the Summer Recommended Reading Lists for my students.  The three main points are:

  • Read a book about a character who doesn’t look like me or live like me.
  • Read a book about a topic I don’t know much about.
  • Read a book in a format (or genre) that I don’t normally read for fun.

Last Wednesday, a parent brought her 4th grade daughter to the library to check out summer books and her first question to me was, “Who decided on the summer reading challenges?”  Seeing her and her daughter, both of East Asian descent, it suddenly dawned on me that the first challenge was not a “challenge” at all, but a re-enforcement of what has been the norm in the child’s reading experiences: almost always reading about someone who doesn’t look like her.  The mother confirmed my realization by saying that there are pretty much no books with characters that look like her! So I grasped at the straw of the second part of the same challenge: live like me and said that this could mean someone living in a rural area, from a different era, or different country.

The next ten minutes saw me scouring the library collection, trying to offer SOME titles with characters that might mirror her daughter’s appearances or experiences, written by authors of a similar background — to very little success.  She already read all the books by Grace Lin multiple times.  Linda Sue Park’s books do not seem to speak to her (even though I thought Project Mulberry might work just fine…) Cynthia Kadohata’s books tend to cover more somber topics that the child does not want to read over the summer (and The Thing About Luck was already checked out!) Marie Lu’s books do not feature East Asian main characters and Kiki Strike’s girl pal Oona Wong has a father who is a major criminal.  The books by Ying Chang Compestine are either too serious or too scary or do not feature a girl main character. I was hoping she would probably take out Millicent Min, Girl Genius but she took one look and didn’t like the idea of reading about a girl who’s super smart.  Eventually, they took out some other books and left not unhappy but definitely not entirely satisfied.

And I was left pondering: Why did I not see how the first part of the challenge might read/feel to child readers who have not seen themselves reflected in books all along? Why?  Because I defaulted readily into the “white audience” mode and only realized the imbalance when confronted with this real-life scenario that offers me a broader view.   I also realized how lacking of knowledge I am to fun books (fantasy, mystery, school humor, graphic novels, etc.) that feature East Asian characters prominently for tweens! Suggestions welcome!

Lesson learned and hopefully will be able to apply in the future.

 

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Chinese Government to Restrict Foreign Picture Books – News from China

According to these two articles, one by the Guardian, Peppa Pig pulled: China cracks down on foreign children’s books and one on South China Morning Post, What does China have against Peppa Pig?, the Chinese Government has started to limit the number of picture books originally published overseas in order to both foster local children’s book publication and have a firmer control over the kind of ideology conveyed through the local picture books. (Thanks, Jeff Gottesfeld, for posting these links on Facebook!)

I am monitoring this progress and will report back for those interested in following this topic.  But, right out of the bag, I’d like to point out that the number of translated books for children in China has always been huge and overpowering.  Look at this screenshot of the top paperback picture book bestsellers on their largest online children’s bookstore: 2 from the Netherland, 4 from the United States, and 2 from France.  Not a single title is by Chinese authors or illustrators.

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Compare this to the top selling picture books on Amazon in the U.S. (There is no such category, only best selling children’s books.)  There are eight picture books in the first twenty titles which are mostly Harry Potter books: First 100 Words by Roger Priddy, The Going-To-Bed Book by Sandra Boynton, The Wonderful Things… by Emily Winfield Martin, Giraffes Can’t Dance by Giles Andreae, The Giving Tree by Shel Silverstein, Oh, The Places You’ll Go! by Dr. Seuss, Richard Scarry’s The Gingerbread Man (Little Golden Book) by Nancy Nolte (Author), Richard Scarry (Illustrator), and Goodnight Moon by Margaret Wise Brown.  All of them are published in the U.S., by U.S. authors and illustrators.  In fact, it has always been rare for foreign, translated work for children to thrive in the U.S. marketplace.

So, I imagine that the need for #OWNVOICE is real and urgent in China.

There is a reason I used this hashtag since I saw that someone invented this other hashtag on Facebook to stress that China Need Diverse Books: #CNDB (modeling after the #WNDB, We Need Diverse Books hashtag) as if the Chinese market is flushed with nothing BUT Chinese creators’ works.  The reality is quite the opposite.

Let’s truly examine the full ranges of the issues of picture book fields in these two countries before making judgements regarding the nature and influence of this potential “government mandate.”

The fact is: the U.S. has no government mandate, but a free market, that dictates what gets published and sold.  And what we have is usually an extremely U.S. or Western centric slate of titles year in and year out.  Any publisher is BRAVE enough to bring a couple of culturally unfamiliar, translated books into the U.S. market is praised, patted on the back, but rarely sees monetary success because of such courageous move.  (And why isn’t the Betchelder Award ever cites the Translator along with the Publisher.  Or for that matter, why aren’t translators’ names always prominently placed on the cover or title pages? That’s another whole blog post to come.)

As some of you know already, I am working with Candied Plums, a new children’s book imprint, to bring contemporary Chinese books to the U.S. There is no mandate from anyone or anywhere, except for the publisher’s and my desire to bring more cultural understanding and accessibility to the U.S. readers.  These picture books, in my opinion, do not promote the “Chinese/Communist Dogma,” nor do they convey any specific ideology except for displaying all ways that we can be human.  These books should be as popular in China as all the imported books.  So, perhaps, just perhaps, the publishers who have been working hard at publishing their #OWNVOICES would have a better chance at reaching their #OWNREADERS with this new, drastic mandate from the Government?

 

 

 

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Nameless City by Hicks – RWW Review

I’d like to draw attention to this thoughtful review of Erin Hicks’ graphic novel Nameless City over at Reading While White blog, I could not bring myself to reading most of the book, because of my own strong emotional (mostly adverse) reaction the raised concerns explored by Angie Manfredi in her review.  I did not speak up about this title because I strongly believe that one cannot critique a book without reading the book in its entirety and closely examining its many components.  (I felt the same about Ryan Gaudin’s The Walled City and Richelle Mead’s Soundless, both “inspired” and “loosely based” on an exoticized old China without the authors’ true understanding of the very real, and very much “living” culture or paying tribute to the long established literary tradition in this particular country.)

 

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The Odyssey Experience!

This past year, I had the extreme pleasure of serving on the Odyssey Award Committee for the best audiobook produced for children and/or young adults.

The following are actual numbers of time spent by me on this Listening Odyssey – including unfinished listening and also re-listening, not including note-taking or review writing and posting on the private conversation online bulletin board.

Minutes Listened: 40000
Hours Listened: 667
Days (24 hours) Listened: 27.8
Weeks (24 hours/7 days) Listened: 4
Months (24 hours/7 days) Listened: 0.9
Work Days (8 hours) Listened: 83.4
Work Weeks (8 hours/5 days) Listened: 17
Work Months (8 hours/5 days) Listened: 4

So it is with great pleasure and relief that we unveiled our selection on January 23rd. For more detailed information, please check out the official website.  I love every single one of these titles TO PIECES!  Each does something magical to enhance the already wonderful original text.  All four deserve to be listened to and be read.  I also love how we have different age brackets represented — and an outstanding Graphic Novel adaptation in the midst!

Anna and the Swallow Man written by Gavriel Savit, narrated by Allan Corduner, from Listening Library, won the Gold medal.

The three honored titles are:

Ghost written by Jason Reynolds, narrated by Guy Lockard and produced by Simon and Schuster Audio.

Dream On, Amber written by Emma Shevah, narrated by Laura Kirman and produced by Recorded Books.

Nimona written by Noelle Stevenson, narrated by Rebecca Soler, Jonathan Davis, Marc Thompson, January LaVoy, Natalie Gold, Peter Bradbury, and David Pittu, and produced by HarperAudio.

 

 

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Salla Simukka, Finnish Author

At a small event hosted by the Consul General from Finland, introducing best-selling author Salla Simukka from Finland, I learned a little about Nordic Noir and Finnish Weird.

Simukka’s takes the lines from Snow White as the three titles of the trilogy: As Red as Blood, As White as Snow, and As Black as Ebony, but this is not a fairytale retelling or fantasy.  Rather they are gritty, dark, and intense crime novels for teens.

I also learned that in Finnish, the third person pronoun has no gender differentiation, so a reader of the Finnish original would have little clue as to the gender of the love interest of the main character.  (And in book 2, the full identity is revealed and it is probably going to be a surprise for most readers!)

These books’ English editions have been available in the States since 2013 but now are getting a re-release (probably some editorial revision as well) starting January 2017 by Random House/Crown Books for Young Readers.

Salla had a conversation with her U.S. editor Phoebe Yeh (WNDB) discussing her writing style and views. She’s eloquent and full of energy.

Hopefully we will see more and more translated contemporary work from other countries to enrich young people’s understanding of the world and empower them to be true global citizens.

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Kadir Nelson’s New Yorker Cover: A Guessing Game

This image is the cover of this week’s New Yorker Magazine — by artist and children’s book creator Kadir Nelson.  It’s almost unbearably ironic that this issue comes out during a week of highly publicized, video-recorded, social-media plastered images of black men killed by the police with apparently little or no justifications and five policemen gunned down by an irate sniper at a peaceful rally for racial equality. I saw this image posted by friends on facebook and read some of the comments beneath this picture and found out how differently this picture could be interpreted by different viewers.  Someone thought that the father in the picture feels desolation and is not having a fun day at the beach; while others see this as family and harmony.  Someone questioned why there are clouds reflected in the sunglasses, and I immediately thought that the comment maker was criticizing the image.  This showed how I presumed and assumed others’ intents and how I definitely need to change the way I post on social media to build understanding and not alienation.  The comment maker wrote back to say that there might be a “hidden message” in those reflections and I can see that now — and have started to wonder, what do those clouds reflected in his sunglasses mean?

Art is like that.

So many possible interpretations.  I have a few thoughts in mind — what are yours?

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2016 ALA Annual at Orlando, Final Recap

In between the ALSC Awards and the Odyssey Award presentations, I attended the ALSC Membership Meeting and were updated on what this Division has been working on all year. I also joined everyone to celebrate the presentation of the professional awards. Distinguished Services Award recipient Pat Scales is a former school librarian and past ALSC President and she so deserves this Award for her 38 years of and continuing services to children, the library profession, and to ALSC.  Other awards and grants and this year’s recipient information can be found on this page.

ALSC Office also has gathered all the award acceptance speeches in one easily accessible page.

 

Of course, the Conference was not just about media and professional wards, it was also about professional development and teaching and learning from each other with many workshops and sessions going on in the Convention Center.  To get a broad sampling of all the offerings and what ALSC conference attendees gleaned from this Conference, visit ALSC’s 2016 Annual Conference Blog Roundup page.

Finally — but truly NOT leastly — I thoroughly enjoyed the two meetings on Saturday and Sunday (5 hours and 2 hours long respectively) with my fellow Odyssey Audiobook Award selection committee members.  We’re from many different parts of the country, with different professional duties, varied audiobook listening and evaluating experiences, and distinct personalities — and I met each and everyone of other eight members for the first time at Annual and felt completely grateful for everyone’s diligence, insights, and good humor.  I can’t wait to see everyone and have those meaty discussions about each audiobook we have all carefully listened to at Midwinter (in Atlanta)!

 

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2016 ALA Annual at Orlando – Recap, Part 2

Following the CSK Awards breakfast were ALSC awards celebrations on Sunday and Monday.  ALSC (Association for Library Services to Children) is the administering body for many well known (and some lesser known but equally high quality) Youth Media awards.   Youth Media = books, videos, and audios.  Newbery and Caldecott are the two longest standing American Children’s Book Awards, of course, but then there are also: the Belpre for Latina/o Book Creators, Batchelder for Books in Translation, Arbuthnot Lecture, Wilder Lifetime Achievements, the Sibert for Nonfiction, the Geisel for Beginning Readers, the Carnegie for Videos, and the Odyssey for Audiobooks.  All of the 2016 winners and honorees were publicly celebrated on these two days.

The Newbery/Caldecott/Wilder banquet is always an elegant and happy affair with more than 1,000 in attendance, well crafted speeches, and a long receiving line that pushes the event way past midnight if you choose to hang around (or don’t have a choice because you work for the publishing companies!)  The three acceptance speeches are printed in this month’s Horn Book Magazine: Newbery, Caldecott, Wilder.  I also took a couple of snapshots and posted them at the end of this post.

Each year, I have also routinely attended the Monday morning award presentation of Sibert, Geisel, Batchelder, and Carnegie since ALSC started hosting this celebration and have always come away awed by the richness and dedication of writers, artists, editors, producers in creating high quality works that powerfully impact young people’s lives!  This year was no exception.  The bonus reel for me was meeting David Adler, the 2016 Geisel Award winner for Don’t Throw It To Mo.  Adler has been a beginning readers author for almost half a century and his Cam Jansen series held special significance in the Feldman household: it marked my daughter’s journey from a pre-reader to a completely independent reader back in 2006.  I had to take a picture with Adler and told him that it was Cam Jansen that made my daughter a true reader.  He humbly replied that if it were not his series, some other beginning readers would have done it, too.  But I must beg to differ here — it is because Adler not only understands text cadences for very beginning readers, but he also understands that perhaps a young and bright minded girl would want to see herself reflected in some way in the stories she encounters so there is a connection between the act of reading and the reader herself.   No, it had to be Cam Jansen and not just “some other series.”

Here’s David Adler with his much deserved Geisel Medal!

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For the first time, this year I also attended the Odyssey Award for audio book production presentation Monday Afternoon and it was simply fabulous.  We were treated to a humorous Infographs slideshow documenting the total minutes the Committee spent listening, the yardage of yarn knitted, the sacrificed one must make (not spending time with the family, not watching football on TV, not reading print books, etc.,) and the number of headphones used to their bitter-ends and many other Odyssey Committee Only Experiences!  We then were treated to the amazing live performances and speeches from the voice actors and musicians!  I especially adored the impassioned speeches by the performers and producers that sheds light on what a labor of love and how much expertise it is needed to produce a single good audiobook.

My biggest take-away from this event is that even though Odyssey is for audiobook Production and not for the Content of the original text, these two are indeed deeply intertwined.  Jayne Entwistle, the reader for The War That Saved My Life, told us that she was so deeply moved by the book and its characters, she cried multiple times at the studio while recording this book.  She teared up and pretty much sobbed just to recall how much she loved this text.  Her narration and character acting showcase not only how highly skilled she is but also why there is a certain kind of genuine gravitas and presence that a lesser text would not have inspired: the skills would still have been there, but the not-at-all-easily-quantifiable, extra LIFE would not have.  Attending this event, I gained added insights for my own task in being part of the selecting committee of the 2017 Odyssey award winners — hope to see many people joining us at this really lovely event next June in Chicago!

 

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Betsy Bird in her Caldecott/Newbery Winners library catalog cards dress especially made for the Banquet.

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The long receiving line that kept us way past midnight.  (I went out with friends old and new for a late night snack of root beer floats and apple pies that lasted until 2:00 a.m.  Feeling very indulgent, of course! Pictures are on someone else’s phone!)

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2016 ALA Annual at Orlando – Recap, Part 1

When it dawned on me that attending the American Library Association’s 2016 Annual Conference meant that I would be in Orlando not even two weeks after the massacre in Pulse Club, I felt a sense of powerlessness and loss.  Was there something I could do to make it clear, at least to myself, that I mourn the victims (not just this year, not just the LGBTQ+ community, bur all innocent lives lost to the easy accessibility assault weapons)?  Was there some way to mark the weekend in some small ways to remember the victims and to remind all those around me to continue fighting for gun control? When ALSC (Association for Library Services to Children) president Andrew Medlar posted on the members listserv that there was going to be a Memorial Service for Pulse Victims, along with other volunteer opportunities, I felt so grateful.  Thanks to ALA’s GLBT Round Table for organizing this memorial, I could at least show my respect and support for the causes.

Saturday, June 25, at 8:00 a.m., hundreds gathered in the convention center’s Chapin Theater – we listened to impassioned speeches about the work still needs to be done, including a short talk delivered by special guest Congressman John Lewis.  His powerful remarks reminded all of us the importance to ACT.

Here’s a segment of his talk, captured in close caption:

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We then stood in silence when all 49 names scrolled on the large screen — reminding us how many of them were so young and how many of them were of Latino heritages.  As a community of librarians whose goals are to better our communities with literature, literacy, and community activism, the words I heard from the GLBT Round Table chairs (both present and former) at this memorial strengthened my conviction and commitment to continue such work as a member of the Round Table.

I also belong to another Round Table at ALA: EMIERT – Ethnic & Multicultural Information Exchange Round Table which administers the Coretta Scott King Book Award each year to “outstanding African American authors and illustrators of books for children and young adults that demonstrate an appreciation of African American culture and universal human values.”  Every year, during the Annual Conference, the CSK Award Breakfast on Sunday (at 7:00 a.m.) is always a rousing, powerful, and moving event.  I look forward to it and always know I will be in the strong embrace of like-minded librarians and book makers and will be exposed to significant speeches.  This year was no different.

CSK speeches are from all winners and honorees.  We had the great pleasure to hear from these book creators:

Rita Williams-Garcia, Bryan Collier, Ronald L. Smith, Ekua Holmes, Jason Reynolds, Brendan Kiely, Ilyasah Shabazz, Kekla Magoon, R. Gregory Christie, Christian Robinson, and Jerry Pinkney for Virginia Hamilton Lifetime Achievement.

Each speech was different, some humorous, some somber, yet all were true and inspiring. Many young folks were in the room and I saw their heads bobbing in agreement throughout the speeches, affirming the power of words and the promises to keep doing important work.  I teared up multiple times: of course, that’s not a unique phenomenon.  I attend the CSK Breakfast to celebrate and to have a good cry and to renew my faith in advancing equity and social justices through the power of literary works that channel the power of their creators.

A few of the texts of the speeches are printed in the Horn Book: Rita Williams-Garcia for Gone Crazy in Alabama, Bryan Collier for Trombone Shorty, and Jerry Pinkney for his Lifetime Achievement recognition.  (Just keep in mind, in the LIVE version of these speeches, things said are not always the same as the printed text, and the deliveries… oh the deliveries — that do make a huge difference!)

But this year, there was also the un-prepared and oh so smooth and sincere speech by Jason Reynolds, a love song to his mother, who was IN THE HOUSE!  And the exhilarating, eloquent calls to action by Ilyasah Shabazz, daughter of Malcolm X.  Ronald Smith’s reminder that not all African American authors must or do write about realistic, historical, African American lives but they should own the full range of literary genres and themes, fantasy, science fiction, and beyond.  Christian Robinson’s love for his Nana was evident; Kekla Magoon’s sense of responsibility was energizing; Ekua Holmes is not only a wonderful artist, but an impressive public speaker — I can’t wait to hear and see more from her!

I wish everyone could have been there listening to Bredan Kiely’s on-the-verge-of-tears-oh-no-I’m-actually-sobbing-as-I-lisetn-to-this highly self-aware and conscientious white, sis-gender, straight, privileged male (as he declared in his speech for All American Boys, co-authored with Jason Reynolds) author whose heart is on his sleeve and who shares his vulnerability without qualm.  (Have you read Gospel of Winter yet?  No?  Go get it!  It was the 2015 Top 10 Best Fiction for Young Adults!)  I really would love to see all of the speeches in print somewhere (since Horn Book only publishes the winners’ speeches).

Not only in print, actually!  I want video recordings so others can witness Jason Reynolds’ raw power when he declaimed his long, audience-jumping-up-from-their-seat-to-give-a-standing-ovation spoken word poem [which is published on the brand new CSK blog, entitled Clap Clap.]

[Since posting earlier today, Sam Bloom, a member of this year’s CSK Award Jury has sent me the link for a partial video of Jason’s speech posted by Patricia Enciso.  Click on the image to watch it!]

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Here are just a couple more snapshots of that auspicious morning which will forever imprint in my mind, same as last year and all the years before.

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The Tangled Web that is Amazon, Goodreads, B&N, and Consumer Self-Education

This morning, when I looked up reviews about This Way Home by Wes Moore and Shawn Goodman, I discovered the following:

  1. On Goodreads, the book is linked to Goodreads Author Wes Moore who wrote and self-published? books The Maker and Forcefully Advancing — both with 4-and-above star ratings (with 5 and 2 ratings each.)  Upon close examination, the actual author Wes Moore of This Way Home is not tagged as a Goodreads Author and on his author page This Wawy Home is not listed along with his three other titles. This could be the reason why the book was attributed to the wrong author.  Goodreads seems to rely on Goodreads Authors’  to actively remove books not written by them from their books list.  I sent a message to the Goodreads Author Wes Moore and will report back if he takes action to correct this mistake.
  2. On Amazon, This Way Home was linked to the correct Wes Moore.  However, an author search of Wes Moore brings up both This Way Home and Forcefully Advancing.  Navigating to Forcefully Advancing page, I saw that this book is frequently bought with The Other Wes Moore, a powerful and popular book (so ironic and confusing since there is a third real person Wes Moore whose story is told in The Other Wes Moore but is not either of these two authors.)  According to the book summary of Forcefully Advancing, r eaders will “learn how to make friends, start conversations, understand spiritual background and barriers, overcome objections, and share the message of Jesus” and “see what America could be like if the Great Commission is implemented across the nation.”
  3. Barnes & Noble also show that these two Wes Moores’ books are often viewed/bought together. `

What I learned today is:

  1. Goodreads or Amazon system administrators probably would NOT easily have caught or fixed these mistakes.
  2. The big consumer sites system designers sure will not make it a priority to report this kind of “small” mistakes.
  3. Even if it were easy to report, I wonder what they can actually do about it — manually remove “bought together” or “viewed together” data? Create a warning label that says, “Hey, there are more than one Wes Moore author up here, proceed with caution”?  Probably not!
  4. What it comes down to is for me the consumer to be more aware and vigilant of what I am reading and buying.  (Which kind of applies to all the discussions over online discourses about children’s literature, doesn’t it?  We should always be vigilant about what is being said, who says what, and why they say what they say.)

Here’s what I encountered and the process of determining for myself if I were to purchase a book by Wes Moore who wrote The Other Wes Moore which my upper middle school students gobble up and find compelling:

Definitely read the book description carefully.

This Way Home is about basketball, sinister street gang, courage to take a stand against the gang and that in the end, hope, love, and courage are our most powerful weapons.  Examining the other titles by this Goodreads Author Wes Moore, I realized that there must have been some confusion.

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I also took note how the number of ratings/reviews given to each title and evaluate the true meaning of the STARS.

Here on Amazon, Forcefully Advancing has a high-flying five-star rating (with 1 review) and The Other Wes Moore that is “Frequently Bought Together” has 4.5 stars (with 773 reviews).

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The bottom line – as a librarian for young consumers of both material goods and information, I shall focus more and more on how to educate my students to be clear-headed, detail-minded, and persistent when navigating the extremely tangled and confusing world of information.

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Boston Globe-Horn Book Awards, 2016

The winners and honor titles are now public!!!  Watch the video announcement here!


Fiction/Poetry

Winner

The Lie Tree
by Frances Hardinge

Honor

The Hired Girl by Laura Amy Schlitz
Goodbye Stranger by Rebecca Stead

Picture Books

Winner

Jazz Day: The Making of a Famous Photograph by Roxane Orgill, illustrated by Francis Vallejo

Honor

One Day, The End.: Short, Very Short, Shorter-Than-Ever Stories by Kai Dotlich, illustrated by Fred Koehler
Thunder Boy Jr. by Sherman Alexie, illustrated by Yuyi Morales

Nonfiction

Winner

Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War by Steve Sheinkin

Honor

Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad by M.T. Anderson

Voice of Freedom: Fannie Lou Hamer by Carole Boston Weatherford, illustrated by Ekua Holmes

Having read a host of titles this year, I can vouch for the excellence and brilliance of each and every one of our final selected titles. I couldn’t have been prouder or more grateful to having served on this committee. Hope more readers will discover/rediscover these books!

Below are many other titles that I would also highly recommend to readers, by categories:

Fiction/Poetry:

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Bardugo, Leigh: Six of Crows
Brown, Peter: The Wild Robot
DeStefano, Lauren: A Curious Tale of the In-Between
Fogliano, Julie: When Green Becomes Tomatoes
Lu, Marie: Rose Society
Nelson, Marilyn: My Seneca Village
Oppel, Kenneth: The Nest
Reynolds, Jason & Brendan Kiely: All American Boys
Riordan, Rick: Sword of Summer
Rundell, Katherine: Wolf Wilder
Savit, Gavriel: Anna and the Swallow Man
Selznick, Brian: Marvels
Sepetys, Ruta: Salt to the Sea

Picture Books:

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Atinuke: Double Trouble for Anna Hibiscus!
Barnett, Mac: Leo: A Ghost Story
Buitrago, Jairo: Two White Rabbits
Daywalt, Drew: The Day the Crayons Came Home
Fan, Terry & Eric Fan: The Night Gardener
Goodrich, Carter: We Forgot Brock
Henkes, Kevin: Waiting
Hurley, Jorey: Hop
Jenkins, Emily: Toys Meet Snow
Joyce, William: Billy’s Booger
Light, Steve: Swap
Miyakoshi, Akiko: The Tea Party in the Woods
Miyares, Daniel: Float
Nelson, Vaunda: The Book Itch
Park, Linda Su: Yaks Yak
Smith, Lane: There Is a Tribe of Kids
Stead, Philip C: Ideas Are All Around
Tate, Don: Poet
Weatherford, Carole Boston: Freedom in Congo Square
Yoon, Salina: Be A Friend

 

Nonfiction:

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Bartoletti, Susan Campbell: Terrible Typhoid Mary
Brown, Don: Drowned City
Engle, Margarita: Enchanted Air: Two Cultures, Two Wings: A Memoir
Freedman, Russell: We Will Not Be Silent
Hendrix, John: The Miracle Man
Murphy, Jim: Breakthrough
Pinkney, Andrea Davis: Rhythm Ride
Samanci, Ozge: Dare to Disappoint: Growing Up in Turkey
Silverberg, Cory: Sex is a Funny Word
Tonatiuh, Duncan: Funny Bones
Turner, Pamela S.: Samurai Rising: The Epic Life of Minamoto Yoshitsune

 

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Boston Globe-Horn Book Awards: We Made Our Selections!

For the last many months, Boston Globe-Horn Book Awards Chair Joanna Rudge Long, fellow committee member Betsy Bird, and I, have been reading and communicating electronically about excellent books for young readers published between June 1st, 2015 and May 31st, 2016.  This past weekend, we finally met face to face and discussed our nominated titles for these three categories: Fiction and Poetry, Nonfiction, and Picture Book. For each category, we were to select one winner and up to two honor books.

On Saturday afternoon, we started with 50 nominated titles.  (Selected from more than a thousand submitted titles.)  Discussions went smoothly but like all book selection committees, some compromises must be made — and some strong opinions were shared!

By the end of the evening, we managed to talk about every single title, expressing our appreciations: from superb character development, to excellent presentation of complex historical accounts, to a particularly delightful visual surprise, and also voicing critical evaluations: be it a weak link in the plot progression, a slightly less affecting tone in a nonfiction narrative, or a layout that could have been more fluid and supportive of the text.  We agreed on which titles to eliminate from our final discussions and brought down the number of book for further discussion to below 30.

Sunday was devoted to making tough decisions.

For each category, we figured out a different way to further narrow down our choices.  Once we reduced the number of contenders even more (after careful consideration,) we could allot more time for in-depth and rigorous discourses on each title most likely to receive the award. Professionalism, courtesy, and plenty of humor marked our work together.  By the end of the day, we had our winners and honor titles for all of the categories!

Did we initially all agree on the final choices?  Of course not!  But did we come to consensus and will we support our choices as a team?  You betcha!  I feel grateful to have had the opportunity working with these two thoughtful and knowledgeable literary critics who helped me see certain aspects of many books that I didn’t notice before and who also listened attentively to my views on many titles. All three of us changed our minds multiple times to serve the communal goal.

The perfect team work was made even better by the hospitality of our hosts: Joanna and her husband Norwood.  They opened their home to Betsy and me and cooked every meal for us.  I loved every book discussion, every casual chat, every short hike, and every bite of all the meals this weekend! And I will never forget Brym for being a perfect, quiet, and gentle companion!

Here are a few photos to commemorate this occurrence — (I didn’t take pictures of the books that we discussed but will share some of my favorites after the official announcement is made this coming Thursday – June 2nd.)

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