Simon vs. The Homo Sapiens Agenda
by Becky Albertalli
Listening to this book was a bit like watching a John Hughes movie… actually, it was a lot like watching a John Hughes movie. It is kind of sweet, there might be some heart-breaking moments, some misunderstandings, some bullying, but definitely a lot of friendship, quite a bit of sweet-loving, and totally easy to get hooked on and want to know more and want everything to work out at the end — and boy did EVERYTHING get worked out! Mostly believably so but definitely veering toward the hyper-optimistic end of possibilities: which, we all need from time to time!
I was a little sad that once Simon & “Blue” met up in real life, the author pretty much stopped giving us their exchanges of ideas: no more interesting emails to read of their views on the world around them or the quirky questions and answers. In the last part of the book, the readers are left with just observing their physical (sweet) contacts and first explorations: as if all those emails were just a precursor to what REALLY matters: kissing and other physical relationships… It would have been more fulfilling an emotional journey for me as a reader if both physical and intellectual aspects of their relationship had been more equally represented during the last part of the story.
(And a potential quibble: I am still baffled why the characters refer to Tumblr as “the Tumblr” — was it that the author does not understand the teen-lingo these days or that it is THAT specific Tumblr page reserved for the kids in that particular town/high school — thus the article?)
I Crawl Through It by A.S. King
It was an intriguing and entertaining read — although using the word “entertaining” to describe my reading experience with a book dealing with mental illnesses, abuse, and traumatic events in teens feels a little crass. Nonetheless, I felt that King, as a writer, really revels in designing and playing “games” with her readers. Mind games, for sure!
Do we really know what actually happened to each of the four main characters? What’s with the man behind the bush? What’s with the invisible (or real?) helicopter? Nothing was really certain — not during and not after reading the book. And I’m quite alright with that much ambiguity — I only wish that I had liked and/or could have felt more empathetic toward any of the characters. Because of the stylistic choice and the hyper-reality setting, the main characters all seem to be more guinea pigs in a giant game of maze on stage, masterminded and controlled by the author for the amusement and perhaps even edification of the audience. Even the cover design with the standardized test answering sheet reminds me of some sort of “whack a mole” holes in an arcade…
Anyway — to sum up — I admired the workmanship and enjoyed the weirdness but never quite got caught up enough to care about any of the characters or how “the story” was going to end.
The Nest by Kenneth Oppel
If any book should be called Unsettling and Disturbing, this one is a prime candidate. The last third of the tale got not only extremely dark and dangerous, it is also filled with vividly described, horror film worthy scenes and imageries. Expertly done. I probably would have truly loved the entire book if I wasn’t taken out of the narrative flow a number of times when Steve uses highly literary words and phrases that I thought uncharacteristically older than the character’s age and not quite in keeping with the rest of the tone of the very straightforward and effective telling. I was hoping and fearing a truly dark ending and was slightly disappointed (because of the very twisted-minded adult reader in me) and very relieved and pleased that there’s some hope and a lot of growth for both the hero and the reader. And what a complex and admirable hero we have in Steve!
X: A Novel by Ilyasah Shabazz & Kekla Magoon
So many of my esteemed colleagues have reviewed this book extremely favorably and some of them told me exactly why they love this book. They cite the energy in the narrative, the honesty in the young man’s anger, and the eventual growth and redemption of this lost soul.
So I feel like walking on thin ice to say that I didn’t find the novel or the protagonist quite compelling all the way through. I found the beginning of the narrative strong and powerful. I was moved by Red’s emotional ties to his mother and siblings; I was convinced that he would find justification of he must steal. His slow realization of his “place” in the world saddened me. The refrain of “Just a n****r” is both chilling and makes my blood boil! And one cannot easily forget his witnessing a lynched body and the connection to the song “Strange Fruit.”
But then… we have 200 pages more of Malcolm engaged in various illegal activities, and continuously excusing himself because of his sorrowful past, family situation, societal reality, etc. I understand that all of these are based on real events, family stories, and Malcolm’s own words. I can only speak for myself as a reader how after a while it felt more tedious than compelling. The pacing went from tight to sloppy. I got quite impatient and did not feel empathy or sympathy toward him. Perhaps that’s not the intent of the author but it was difficult for me to want to follow his next missteps since I stopped caring.
The final payoff of X’s enlightenment comes very late and lasts very briefly within the confine of this novel. The book ends before his important life’s work begins. For many who already know quite a bit about Malcolm X, his personal narrative, his rage, and his complex relationship with the Nation of Islam, the ending is but a beginning — we know what he would become. And the book includes extensive after matter to detail Malcolm X’s achievements. I just wonder what impression this “novel” of Malcolm X leaves a younger reader.
I also wonder how the pacing feels and my emotional engagement might have been different if the narrative voice had been a more universal third person, so that I could understand his internal struggle and also observe his external charms and charisma (and not just being told by the protagonist that “people seem to be drawn to me” or “girls like me.”)
The Three Body Problem (三体）by Liu Cixin（刘慈忻)，translated by Ken Liu
This is a rare experience for me since my encounters with Science Fiction tend to be on the “soft sci-fi” end: where the details of the science employed by the authors are often quite flexible to suit the narrative needs of the tale. This is Hard Science Fiction and I was absolutely fascinated (even while I didn’t quite understand them) by the explanation of the Three-Body physics problem, the unfolding of protons into various dimensional modules, and how radio waves are delivered and received, etc. However, what compelled me to keep on reading was the realistic and unflinching depiction of the story’s backdrop (from Cultural Revolution era to contemporary China,) the underlying multiple and somewhat conflicting philosophies about human nature, the life story and struggles of one of the main female characters, and the kinship I feel with a specific type of online gaming.
The author honestly and boldly laid out the views of his characters (and one can choose to side with or against whichever view) and the translator faithfully captured and presented the analytical and yet deeply emotional landscape of the story.
Let’s celebrate this book’s 2015 Hugo Award win for being a solid hard science fiction and for being the very first Hugo novel winner penned by an Asian author.
Goodbye Stranger by Rebecca Stead
How does an author who already won so many accolades to continue pushing herself for such new heights?
This book has no surprising twist ending: magical or SciFi-esque; it has no flashy mystery elements; it is set in an ordinary school with ordinary middle school students — but yet, one cannot stop reading it because we as readers care so much about the interior lives of the characters (three “main” plus the supporting cast). It makes one feel compassion and empathy towards all who behave “well” and who might have some questionable motivation. It also makes readers marvel at the author’s ability to write a “quiet” book that speaks so loudly on the reality of being a young teen who must navigate the treacherous waters of friendship, social dynamics, and power-structure.
Four young readers from Shanghai (ages 13-15) and I spent two weeks together enjoying and analyzing Neil Gaiman’s Newbery winning title The Graveyard Book. The lessons were all conducted in English. We had a lot of fun and here are some of the observations that we made about the book:
(silly names we gave ourselves/each other)
- The author makes it so that the supposedly bad people (the graveyard dead, a witch, a vampire, and a werewolf) turned out to be super nice and caring. It made us reconsider our assumptions to the people around us.
- The author effectively uses verbs and action phrases for inanimate objects to create vivid and poetic imageries: tendrils of fog could insinuate themselves into the hall, the graveyard could keep secrets, and the burnt sun could gaze into the world below.
- We had lots of fun figuring out what Gaiman implies in his text. Silas’ true being is, of course, the most fun to guess: so many clues about what he is without the word* EVER being present in the book. But there are many other things that the readers need to figure out: the characters’ moods, interior thoughts and motivations, etc. In other words, this is a great book for inferences.
- Paradox is another literary device used often by the author. We bookended the course with this paradoxical phrase: “Glorious Tragedy” that Gaiman used to describe what it’s like to be a parent and how The Graveyard Book can be read as a book about the bittersweetness of successful parenting. This phrase could be used especially to frame much of the last part of the book when Nobody Owens grows too old to be contained within the safety of the Graveyard. Isn’t “growing up” also a kind of glorious tragedy? I asked the four young readers to contemplate in what ways that “growing up” is a glorious tragedy.
- Each student wrote me a quick feedback on their individual experience with the book. All were positive and had strong emotional reaction to the events and characters in the book.
- One wrote how they appreciated the many new vocabulary words (Gaiman definitely did NOT shy away from using precise, perfect, but not easy words.)
- They all enjoyed the “guess” work whenever I asked them to infer a particular subtly presented idea.
- One student who never read a single English language book before this class vowed to continue reading books in English!
I had a blast! The students were diligent and after the first couple of days, were lively and contributed a lot. It’s especially rewarding to closely re-read The Graveyard Book and confirm how finely crafted this book truly is, in every aspect!
* SPOILER ALERT — Silas’ identity is revealed after the cover image (for those who have yet to read the book.)
Silas is a vampire.