Making “WAVE”s or Going with the Flow? – Pinay Thoughts on Marvel’s new Filipina superhero

I posted my first reaction a few days ago upon seeing the first look poster of the very first Filipina Superhero from Marvel.  Since then, some discussion went down over on my Facebook Timeline.  Somewhat heated debate between me and a white Facebook friend (not RL friend) trying to parse out our understanding of the data: that Tagalog is both a Language and a group of people; that people with Spanish heritages are less than 1% of the population; that the artist, although Filipino, displays largely western, marvel influenced comic book art styles, etc.  I definitely outright challenged this white friend’s recollection and knowledge — and also pointed out that her 4-year living in the Philippines as a white person does not give her the same lived experiences as Filipina or Filipina Americans.

In the end, what matters here is not how this one white friend responded, but what my two Pinay educator friends had to say.  In the spirit of being called in (since I’m not Pinay) and calling others in, I’m reposting their salient comments here.  I’d really like to encourage Marvel and the creators of the new diverse superheroes to be courageous: this is uncharted water, but you have the resources to make large waves: do your due diligence and stay true to the cultures you’re representing even if they could be unfamiliar to western eyes.  Create something fresh and unlike all the previous superhero stories!  Don’t just do the same-old, same-old with merely changes of skin tones and costumes! (And please no resorting solely to “oriental mysticism”!)

Maria is an elementary school librarian who also produces and hosts a Theatre Review Show on YouTube to highlight work primarily by women and POC playwrights, actors, directors, etc. :

Maria Paz Alegre Hey all  Pinay here. I’m Kampangan and Tagalog – though little known outside our country, Tagalog is indeed both a language and a people! Props to Roxanne for shining light on that little known fact. TBH my fam usually refer to ourselves as Manilenyos first, a nod to our capital city. I believe Tagalog can be compared to the word “English” – both a language and a people. The idea that we are strangers to our own land, coming from Spain and Polynesia to conquer is false. We’ve ALWAYS been there. Been there long before King Philip and long before Christ. Source: myself, and if experts are needed, my father Edilberto N.Alegre- an award winning scholar and PhD of Filipino Cultural Anthropology. His books are often required reading at the University of the Philippines where he taught for several decades, but feel free to google him if you like.

I’m also the one who made the spray tan comment. I stand by it and it appears I may need to explain.

I was ELATED AF to find out that Marvel made a Filipina superhero, only to feel a kick to my gut when I saw her. If you know my country, then you know all about the systemic bigotry derived directly from white colonialism. The bleaching cream, the rhinoplasty, the upper eyelid surgery, you name it… I cannot stress the havoc that this western standard of beauty has wrought on my people, especially on indigenous tribes like the Ati.

Are there mixed Filipinos with western features? Sure! But they often make up the 1% and are almost always the rich and elite. They do not look like the vast majority of my country people. My stepmother (Joycie Dorado Alegre) has been the Commissioner of the National Commission in Culture and the Arts to the Visayas and Mindanao and she personally worked on campaigns to encourage that “Black is Beautiful. Brown is Beautiful. You are Beautiful.” It’s been a very rewarding but very uphill battle.

So yes, to see the first representative of my race in Marvel with Eurocentric features? It sucks and it hurts.

Spain wins again. America wins again. The Filipinos must take a hit and live to fight another day, again. And while a Pinay character may be a step in the right direction to you, it greatly disappoints me and many others that she doesn’t look like like one. They could have done better.

Justine is a Health and Wellness educator whose Decolonizing Beauty Standards workshop at the People of Color Conference (for educators in Independent Schools) was the highlight for many attendees two years ago:

Justine AF Yo! Pinay here too and glad this convo is happening so thanks Roxanne Feldman for your allyship. I’m feeling like all I need to do though is clap and bow down because Maria Paz Alegre just crushed it with her eloquence. But since I rarely can keep quiet, I’ll add my 5 pesos here:

1. Yay that Marvel is naming a character an identity that matches one of mine.

2. Boo that she looks like the beauty ideal I’ve been told to emulate for most of my childhood. Unless Wave has that nose because her Tita was right about clothes-pinning it and she obeyed, she is the 1%

3. Interesting that the Cebuano artist drew a Pinay that had the more expensive body alterations done when they could’ve just drew the cheaper and more common one by applying Eskinol lotion to lighten herself up.

4. Decolonizing the beauty ideal is not dunking your face in Hawaiian Tropics oil. We’re more than a skin tone.

5. There better be some real Pilipinx words and cultural practices that aren’t all Spanish and American influenced in this screenplay to make up for this. Just saying.

P.S.

And a week later, our differences in opinions did not get reconciled.  Instead of seeing what my Pinay friends expressed, that it would have been wonderful to see a more representational Pinay character, she posted this picture and claims that the woman on the right most “has basically the same shape face and brows of the comic character.”

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Perhaps this the case of seeing what you want to see and refuse to see what you don’t want.

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I alwo wonder why instead of seeing how most of these women do not look like the artist’s imagining of Wave, this Facebook friend decides to hone in on the one that, to her, makes the point.

 

 

 

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Potential Newbery Contenders? March Edition

Over at Heavy Medal, devoted readers have spoken and made their March Suggestions of 2020 Newbery contenders.  Click on this link and see the March list.  Excited about many of them.  And super impressed with New Kid by Jerry Craft.  Happy Reading!

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Marvel’s New Filipina Hero – WAVE (First Reaction)

(Reposting from my Facebook)

Good and Bad News at the same time?

YAY – Marvel is debuting a Filipina superhero — WAVE;
HUH? – Why does she look like a Euro-White lady with tan skin?

And the artist is Filipino…

Reported as having “identifiable Filipino “morena” skin” …. my Filipino friends — what are your thoughts?

wave.jpg

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Critical Thinkers

Educator friends, what does it mean to cultivate critical thinkers?

A critical thinker is not a cynical thinker.  Too often, we value or even praise young people for their ability to be “critical” about events or people around them, believing that being able to find faults, poke holes, or even make fun of matters are signs of their mental acuity.  In fact, those are often mere manifestations of small mindedness and posturing, or even just parroting grown-ups and peers.

A critical thinker must have the patience and fortitude to gather multiple aspects of any single issue before making up their mind.  A critical thinker is not quick to judge and does not belittle.

So, when we teach young people — please remember to give them plenty of opportunities and time to practice patience and broadmindedness.

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The Whiteness of My Profession

Over at Heavy Medal: A Mock Newbery Blog – a commenter noticed that the nineteen Heavy Medal readers who volunteered to read and participate in discussing and choosing our 2019 Heavy Medal Award winners/honorees all identify as White.  I wrote my longish response in a comment there and repeat the words here:

The predominately white Committee (with Steven, white, and myself, Asian/non-white, serving both as manager of the blog and occasional commenters starting January) simply reflects the librarian profession as a whole.

Here’s the finding from ALSC itself in 2016 via an Environmental Scan study of librarianship in the U.S. (Note, the Librarianship counts are almost 10 years old by now so hopefully the number has increased.)

“The overwhelming majority of librarians, including children’s librarians, are white women. Librarians are disproportionately white compared to the population of the United States as a
whole, as demonstrated by the “Librarians and US Population” graph that follows (Librarian data from Diversity Counts 2009-2010 Update; US population data from “Outreach Resources for Services to People of Color”). It is clear from this graph that people of color and Native/First Nations people are grossly underrepresented in the field of librarianship.” — The graph shows the following:

88% of Librarians are white and 12% are non-White: 1.8% are Latino, 6% are African American, 3.8% are API, and 0.4% are multi-racial or Native American.

So, out of 21 people (including Steven, white, and Roxanne, Chinese,) we should have 2.5 persons who are “non-white” – we have 1, making it 4.7% diversity: if we only look at race. If we look at other factors, gender (5% of the profession is male, and we have 4 members identify as male, making 20% of the membership.) We also have some diversity in political views, abilities, ages, sexual orientation (openly identified or not,) professional focus, etc.

This brings me to explain an important process during the Committee formation to balance representation so Committee members look MORE like the nation and the children our professional serves than the profession itself. ALSC, through members and the Board, intentionally balances the representation of each Committee (Newbery, Caldecott, Bepre, Sibert, Notables, and many more,) through both the voting and appointment processes.

We here at Heavy Medal do not use any balancing mechanism. If no Heavy Medal Readers of Color volunteer to serve, then we have no HMAC Members of Color to participate. Do you think we should have pushed during the call for participation to encourage more readers of color to sign up for this process? I am curious to what outcome would have been then.

Last year’s Newbery Fifteen included three (counting me) Asian participants — we did not have any African, Latino, or Native American participants, either. Or could it just be very possible that we do not have many/any Readers of Color — and this is merely a parlor game for white (and Asian) children’s literature enthusiasts?

Much to think about.

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Thankful

I’m grateful these days that I work in a school where I am allowed to share my honest opinions, respectfully, with my co-workers and my students about what matters: that equity and inclusion are of supreme importance, that love and kindness are what we need to combat hatred and ignorance, and that there is hope in young people and the future.

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No More Laura! And the controversy begins…

Yesterday/Last Night, youth librarians, young readers authors and publishers gathered in the Hilton, New Orleans, Grand Ballroom to witness and live a historical moment.  In the room that held a thousand, we united and cheered in the decision (long in coming, and long overdue) to update and change the name of the life-time achievement award administered by the Association for Library Services to Children (ALSC).

The Wilder (Laura Ingalls) Award has been given to an author or illustrator who has made, “over a period of years, a substantial and lasting contribution” to American children’s literature since 1954.  In recent years, however, the name of the award has prompted the Association to examine its implication, especially when it comes to Wilder’s portrayal and sentiment about Native Americans (Indians) and Black Americans in her classic Little House series.

Read about the decision to update the name of the award to Children’s Literature Legacy Award and the divergent opinions (in comments) from the general public here:

http://www.alsc.ala.org/blog/2018/06/childrens-literature-legacy-award-alaac18/

I, for one, applaud the decision and am proud to be a part of an organization that continues to examine practices that should no longer be upheld as we honestly face the reality of this nation’s history.

 

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ALA Annual Conference – New Orleans

I’m volunteering to Live-Blog my ALA attending experience for ALSC.  Check it out here:

http://www.alsc.ala.org/blog/

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What About White Boys? (All Children’s Lives Matter)

milesI haven’t posted for a long time — but I have been thinking about both our society and the children’s books that reflect (and hopefully help shape) our society and its future.

E-V-E-R-Y  S-I-N-G-L-E  D-A-Y!

Here’s what I posted on Facebook this morning:

As we teach girls to say NO, we must also teach boys to RESPECT. As we teach girls to be STRONG, we must also teach boys to be KIND. As we teach black children to EXCEL, we must also teach white children to REFLECT. As we teach black children to have more self CONFIDENCE, we must also teach white children to have more INFORMED EMPATHY.

Instead of judging and blaming each other, we must teach POSITIVE INTERACTIONS AND ACTIONS between groups of people.

Heck, this is not just about children. This is about all of us.

And promptly a white male relative (in his 50s) who is informed, kind, and loving, posted that he agrees with my basic principles, but it seems so “one-sided” and that it sounds like I am blaming and judging white males.

Here’s what my response to him:

Actually, I think of it as helping white males to adjust better in a world where their past and complacent modes might no longer serve them well and let them be equal partners of a future, equal world.

If you truly examine our history and society and systems, you would see that pretty much all other groups: women, non straight, and non white people have been on the receiving end of systemic oppression: less paid for equal work, fewer rights for the same human beings, etc. I actually want Educators who have been advocating one sided to educate girls and people of color but having largely ignored giving the tools and skills to handle an increasingly demanding (and rightfully so) world.

So yes, it is one sided: for the benefit of our children and ourselves. Instead of just blaming people like Trump or Sessions or Weinstein, I want to figure out how we can successfully educate the white/male of the future to thrive and to not thrive by stepping on others’ heads. Does this make sense to you?

Indeed, I have been wondering and hoping for more books by White and Non-White authors that feature good, kind, fair, courageous, moral, wonderful WHITE male and female characters — who do not just show up as white saviors or antagonists but act like so many of my real life white friends do — stand up for what’s wrong, fight for justice, and are self-reflecting and always want to be better humans.

I often hear that children need mirrors to reflect themselves and their experiences — I say that they also need a crystal ball that can show them what they COULD become.  I am worried when I started noticing that authors of children’s books seem to think that when they create wonderful children of color protagonists, they are then obligated to create white antagonists (bullies, uncaring teachers, etc.)  I wonder about the image that a white young reader sees in such books — are these the only roles they can assume now?  Are they being delegated to the dark side without redemption?  How hopeless is that? And how dangerous!

I wish to caution writers and editors: in our zealous (much needed) pursuit to include positive characters from marginalized groups, please do not make the dangerous mistake in creating a host of negative characters from the majority group, or excluding them from positively interacting with characters from the marginalized groups.

Case in point: Miles Morales features a black/hispanic hero with an Asian side-kick and a racist white teacher — is there no possibility for Miles to have close and allying white peers, friends, and mentors?  Another case in point: Hello, Universe features wonderful, quirky, and ultimately lovable Filipino, Hispanic, and Asian main characters.  And there is ONE white family/white child — and that ONE white family/child are bullies whose actions are most aptly described as despicable.  Of course, these are but two books from thousands of children’s books published in 2017 — but they are highly touted, much recommended books, featured in Best Of the Year lists, for middle grade students.  What is the telegraphed message here — and if there are more books like this frequently consumed by young readers — how would they view each other and each other’s group?

This is why I say, “Thank Goodness for Magnus Chase,” a white boy, created by a white male author, who encounters an assorted group of friends and foes — from different cultures, with different sexual orientations/gender identities, and religious beliefs. And they are judged not by the color of their skin or identity traits — but by their inner convictions.  Because, let’s not forget that when Doctor Martin Luther King Jr. said, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character,” he never meant that he wished his children to grow up “judgment free.”  As citizens of the world and members of our own community, we must understand that the content of our character is to be examined, held accountable, and, yes, “judged” by our peers and our society.  Being part of a particular culture, whether marginalized or main-stream, does not exempt anyone from having a moral conscience.

While I am completely opposing the sentiment behind the “All Lives Matter” slogan (which is a detraction and distraction from the urgent “Black Lives Matter” movement,) I must advocate that ALL CHILDREN’S LIVES MATTER.

Please look at the big picture.

Please look toward a long-term future.

Please mind the GOAL — which is to respect and treasure everyone equally, regardless of skin colors, religious beliefs, sexual orientations, genders, etc. etc. etc. In order to actually achieve this goal, we cannot trample on ANY child and their potential, positive future.  We must make it possible that the children of today will become fair and compassionate adults – so we must hold up that crystal ball and motivate them with positive imageries of their potential selves.*

* Of course, I am not advocating of having no villains in books or no conflicts in stories!  Just please be mindful of the trend…

 

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Kirkus Collections – Diversity in Children’s Books: A Searchable Database

Children’s book review editor at the Kirkus Review wrote an introduction to its ambitious, and hopefully highly functioning and useful database.  Please read!  The Collections will only grow as more books are published and added to the Database.

Public Librarians and Booksellers with Baker & Taylor accounts will be able to access the full Database.  Alas, it is not available to me (school librarian using Follett, even though it owns Baker & Taylor.)  *sigh*

They are also going to publish, one article a day, in October, a series of essays by authors, librarians, and scholars, expressing diverse viewpoints on the Diversity landscape of children’s literature.  Can’t wait to read them all!

 

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Dear White People: It Is Up to You to Undo Racism (with help and guidance from People of Color)

In early July, I attended a week-long educators workshop offered by the National Museum of African American History & Culture.  (With daily access to the museum’s collections before it opened to the public!)

There were more than 30 attendees and five master teachers, with 2-3 guest speakers a day.  We unpacked many topics, from the dehumanization of the African American slaves to self-reflection of what is Whiteness in the 21st century America and how as educators we must examine and incorporate true history and social justices into our curriculum.

After a particularly impactful day, with one of my New York City Independent School colleagues, Erica Corbin Rodriguez leading the workshop, I went back to the hotel and texted with a friend who was a former student and also a fellow-teacher at Dalton.  He is a 24 year old white male and I have his permission to post our conversation here: I’m the white text with blue background and he’s black text with gray background.

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As the 2017-18 school year starts tomorrow for all our students, I am constantly reminding myself that it is my responsibility to keep social justices front and center in my curriculum and my interaction with students. This one former student is not a unique or singular case: he is one of many responsible, compassionate, and self-reflective white men and women that we hope to “unleash into the society” and make the world a more just and loving place.  And just as he said, he is responsible to undo racism, more so than any person of color.  He and many others will need constant dialogue and guidance — let’s work side by side to achieve our common goal: equality for all.

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Farewell Child_lit – You’re No One’s Baby

Over at SLJ’s Blogsphere, Betsy Bird (Fuse#8 Production) documented the pending demise of Child_lit Listserv, hosted at the Rutgers Email server and has been “owned” and run by Rutgers Rare Books librarian Michael Joseph for more than 20 years.

I was among the earliest subscribers to child_lit (mid-1990s) and served as its occasional archivist in those days, publishing (with permission) discussion threads on various Children’s Lit topics from “Love You Forever: Funny or Repulsive?” to “Tikki Tikki Tembo and Cultural Accuracy in Folktales” — those were the “good old days” when fewer people found their way to online discussion boards and no pervasive social media platforms like Facebook or Twitter or even many personal websites/blogs.

Children’s Literature lovers, authors, publishing folks, and scholars found each other and we built a communal Home on child_lit.  Michael Joseph took on the responsibility of hosting and running the listserv and as Child_lit neared its end, many many subscribers expressed their gratitude to him in having maintained such a wonderful place for all of us through these many years.  I am among the grateful list members!  Michael and I have known each other through Child_lit (as many others, like Monica Edinger, Cheryl Klein, Patrice Kindl, Jane Yolen, Philip Pullman, Linnea Hendrickson, and Pooja Makhijani, and so on…) for more than two decades and I have so much respect for him as a scholar and friend.  However, as Michael pointed out in his “decision paper” on August 21st to the list members, with conversations about children’s and YA books being all over the internet and Child_lit (in his view) has lost its scholarly/academic luster, Michael decided that it’s time to shutter the windows and lock the doors.

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Screen shot of child_lit About Page

This decision greatly saddened me.  Child_lit is not a collection of lifeless pixels housed on cold and heartless email servers.  It is a community and a place of connection of people who are interested in exploring the world through children’s literature — even if perhaps the style of the discussion has evolved and changed.  I did not want this place to disappear.  So I took action.

In the past week, I contacted various folks at Rutgers, posted a Survey on child_lit to gauge members’ interest (which is high) in maintaining this virtual Home.  Finally, I found a professor at Rutgers who graciously agreed to help maintain the listserv for a while until we can find a new Owner of the listserv.  However, when I brought this solution to Michael, I discovered that Michael’s mind was firmly made up and he will not allow for the transferring of the “virtual deed” (which could be easily accomplished.)

I wrote this on Child_lit today and would continue pondering on “who owns what we collectively build” in the online/virtual world.

Farewell Child_lit – You’re No One’s Baby

A list member said to me that she has no problem with Michael terminating Child_lit because, after all, it is His Baby, and he has every right to do whatever he wishes with it.

Although I am in no way angry at Michael for not wanting to continue “owning” child_lit because it no longer matches his original vision of the discourse, I found this notion of child_lit, which belongs, in my view, to the entire child_lit community and even to the entire children’s literature community because we often take what we learn from here to our daily children’s lit. practices.

The analogy of “the baby” makes me wonder about how we view intellectual products in the age of online engagement and how we treat “virtual real estate” and “virtual ownership.” It also makes me chuckle: I have a real life human daughter who is younger than Child_lit (18) and by now, I no longer think of her as My Baby, and can no longer dictate how she manages and conducts her life. I’m giving advice, yes. I’m helping her out when she needs, yes. But, I will never tell her that I’m pulling every support away from her because she has irked me or not being a replica of myself. (She just started college and is making course choices that surprise me!) So the idea that because we, collectively, have disappointed Michael and he has tired of the ownership of the list, we, collectively, will lose our virtual community (home/real estate) still does not sit squarely with me.

That said, if this is indeed the FINAL DAY OF CHILD_LIT — farewell, friends old and new. We shall meet and find each other somewhere else :)

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Book Critic AND Book Champion

There was a discussion last year about how some of us are “book champions” and others are “book critics.” The implied conceit is that somehow, these two roles or temperaments are mutually exclusive.  A great summary with her views and links was published on Monica Edinger’s “Educating Alice” blog: The Championship Season.

After much self-examination, I know that, I too, would like to maintain both traits – not as if they’re the two ends on a continuum: if I move toward one end, I’m leaving the other end behind.  I’d rather imagine them as baking ingredients which must work together well with just the right amount of each.  I hold that it is imperative to examine all aspects of any book I encounter and critically evaluate them: pointing out what works really well and what has perhaps fallen short when engaging in discussion of a book: whether in person with a friend, online on a blog, in print for a magazine, or as a member of an award selection committee.  However, it is equally important to have a lot of passion and love and express such support vocally and often, especially when working with the target readership.  I often joke with my students that I’m just a paid book pusher: starry-eyed and eager when recommending titles.  I will never shy away from praising a good book and champion for great themes, outstanding literary styles, convincing world-building, and layered character development.

That’s why I point out inaccurate racial representations; that’s why I discuss whether the use of certain narrative devices supports the plot or the theme; that’s why I talk and write about books I’m crazy in love with but also about books that raise questions and concerns.  I’m not going to choose between the two:

I consider myself a Critical Book Champion!

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My Appreciation for Emperor’s Riddle by Kat Zhang

emperor's riddleThis is a brief note to say that Emperor’s Riddle by Kat Zhang (Aladdin, May 2017) fits the bill of my continuing search for fun stories set in contemporary China that features Asian American children and authentically captures both the modern day life familiar to western readers and the cultural flavor unique to China.  Definitely a book that I will introduce to the Chinese American mother and child who came seeking books featuring characters that “look more like her.”

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Musing While (Off)White

Readers of this blog and friends & colleagues might have known that I am originally from Taiwan, growing up as a racial majority, upper socio-(but-not-economical) class, and never having to figure out my racial identity as a marginalized child, teen, or young adult.

When you grow up occupying only a small slice of the population pie (less than 1/16 for Asian Americans of varied country origins,) your self-image and self-worth must rely not only on your family’s heritage and conviction, but also on your school environment, your neighborhood, and media representation.

For the last few years, I have identified myself as a Person of Color so I could unite with my Asian American, Brown American, and Black American brothers and sisters to raise awareness of the institutionalized racism they (we) must confront and rectify together. However, I must confess the hesitation, the discomfort, and the sense of being an “imposter” in many of such groups that I insert myself in at work, at professional settings, and social gatherings.  I attend the monthly Faculty of Color meetings to discuss and strategize how to make my school a more inclusive and just environment for everyone.  I go to the annual People of Color Conference for educators to glean and share new knowledge and lesson plans.  I read books and articles and discuss about all sorts of sub-topics related to the systemic oppression so many of my colleagues, friends, and students have to contend with on a daily basis.

Every so often, I say to myself, “But you have never personally experienced any of these, except for perhaps once in a while someone jokingly (or seriously) thinks that you can do math a little better or that you are probably quite docile.”  The last point could be exasperating since I am so far from being docile or gentle but the misconception or stereotype never gives me an iota of emotional stress.  My racial identity could be easily just part of my whole being: like that I’m short or I am near-sighted and that I am a mother and a librarian.  I am more and more aware of how much a luxury it is that I can go about my day, moving in all sorts of spaces to not be keenly aware of my racial identity.

This is the kind of luxury (privilege?) that I imagine many of my white friends, colleagues, and students have.  And I also imagine that this is why so many of them are still struggling to figure out why their brown/black/Asian counterparts cannot simply “let this racial identity thing” go, or cannot simply train themselves to not allow racial identity to dominate one’s self-image or as the main influence of one’s notion of self-worth.

The more I think about my own identity, the more I know that I cannot claim to be a Person of Color in 2017 America. Instead, I feel like I need a different category — a different label, perhaps. My socio-economic status, my immigration status (naturalized citizen by marriage,) my work stability, and my lack of external threats from law enforcement, etc., makes me, if not 100% equal to most upper-middle class white Americans, close enough to Being White.  This explains why I often do not have the “ouch” reaction that many people of color have when encountering media misrepresentations, lack of representations, or grossly inaccurate stereotypical expectations — all because I have not experienced years of being misunderstood or being reduced to a “type” and not being seen and valued as a unique individual.  If there is some sort of continuum of Racial Identities — then I would drop my pin (when it comes to how privileged and how socially resourced I am) somewhere in the “White” section. Since I cannot claim to be actually White, I will from now on think of myself as Off-White and hopefully can use this identity to help my White colleagues, friends, and students to figure out how we can help advance the anti-racist and social justice causes.

I welcome comments and thoughts — am I being completely off here?  Am I usurping anyone’s identity to claim myself as Off White or is it somehow accurate and perhaps even rings a bell for other Asian Americans?

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“Read a book about a character who doesn’t look like me” as viewed by an East Asian parent

For the second year in a row, I posted Children’s Literature Ambassador Gene Yang’s Reading Challenges (Reading Without Walls) as a preamble to the Summer Recommended Reading Lists for my students.  The three main points are:

  • Read a book about a character who doesn’t look like me or live like me.
  • Read a book about a topic I don’t know much about.
  • Read a book in a format (or genre) that I don’t normally read for fun.

Last Wednesday, a parent brought her 4th grade daughter to the library to check out summer books and her first question to me was, “Who decided on the summer reading challenges?”  Seeing her and her daughter, both of East Asian descent, it suddenly dawned on me that the first challenge was not a “challenge” at all, but a re-enforcement of what has been the norm in the child’s reading experiences: almost always reading about someone who doesn’t look like her.  The mother confirmed my realization by saying that there are pretty much no books with characters that look like her! So I grasped at the straw of the second part of the same challenge: live like me and said that this could mean someone living in a rural area, from a different era, or different country.

The next ten minutes saw me scouring the library collection, trying to offer SOME titles with characters that might mirror her daughter’s appearances or experiences, written by authors of a similar background — to very little success.  She already read all the books by Grace Lin multiple times.  Linda Sue Park’s books do not seem to speak to her (even though I thought Project Mulberry might work just fine…) Cynthia Kadohata’s books tend to cover more somber topics that the child does not want to read over the summer (and The Thing About Luck was already checked out!) Marie Lu’s books do not feature East Asian main characters and Kiki Strike’s girl pal Oona Wong has a father who is a major criminal.  The books by Ying Chang Compestine are either too serious or too scary or do not feature a girl main character. I was hoping she would probably take out Millicent Min, Girl Genius but she took one look and didn’t like the idea of reading about a girl who’s super smart.  Eventually, they took out some other books and left not unhappy but definitely not entirely satisfied.

And I was left pondering: Why did I not see how the first part of the challenge might read/feel to child readers who have not seen themselves reflected in books all along? Why?  Because I defaulted readily into the “white audience” mode and only realized the imbalance when confronted with this real-life scenario that offers me a broader view.   I also realized how lacking of knowledge I am to fun books (fantasy, mystery, school humor, graphic novels, etc.) that feature East Asian characters prominently for tweens! Suggestions welcome!

Lesson learned and hopefully will be able to apply in the future.

 

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Candied Plums in New York!

The Chinese bilingual picture books published by Candied Plums are now widely available through various book wholesalers and retailers: including Baker & Taylor, Ingram, Amazon, and Barnes & Noble online.

The editor and rights manager Lisa Lee attended BEA in New York and met many librarians and booksellers who all marveled at how well made, original, and beautiful these bilingual (and some English only) books are.  As a consultant to the company, I definitely feel a sense of accomplishment and pride.  It has been a joy to work with Candied Plums and especially Lisa and a privilege to provide a service to a much needed corner of the children’s literature field.

candiedplumslogo

 

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Chinese Government to Restrict Foreign Picture Books – News from China

According to these two articles, one by the Guardian, Peppa Pig pulled: China cracks down on foreign children’s books and one on South China Morning Post, What does China have against Peppa Pig?, the Chinese Government has started to limit the number of picture books originally published overseas in order to both foster local children’s book publication and have a firmer control over the kind of ideology conveyed through the local picture books. (Thanks, Jeff Gottesfeld, for posting these links on Facebook!)

I am monitoring this progress and will report back for those interested in following this topic.  But, right out of the bag, I’d like to point out that the number of translated books for children in China has always been huge and overpowering.  Look at this screenshot of the top paperback picture book bestsellers on their largest online children’s bookstore: 2 from the Netherland, 4 from the United States, and 2 from France.  Not a single title is by Chinese authors or illustrators.

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Compare this to the top selling picture books on Amazon in the U.S. (There is no such category, only best selling children’s books.)  There are eight picture books in the first twenty titles which are mostly Harry Potter books: First 100 Words by Roger Priddy, The Going-To-Bed Book by Sandra Boynton, The Wonderful Things… by Emily Winfield Martin, Giraffes Can’t Dance by Giles Andreae, The Giving Tree by Shel Silverstein, Oh, The Places You’ll Go! by Dr. Seuss, Richard Scarry’s The Gingerbread Man (Little Golden Book) by Nancy Nolte (Author), Richard Scarry (Illustrator), and Goodnight Moon by Margaret Wise Brown.  All of them are published in the U.S., by U.S. authors and illustrators.  In fact, it has always been rare for foreign, translated work for children to thrive in the U.S. marketplace.

So, I imagine that the need for #OWNVOICE is real and urgent in China.

There is a reason I used this hashtag since I saw that someone invented this other hashtag on Facebook to stress that China Need Diverse Books: #CNDB (modeling after the #WNDB, We Need Diverse Books hashtag) as if the Chinese market is flushed with nothing BUT Chinese creators’ works.  The reality is quite the opposite.

Let’s truly examine the full ranges of the issues of picture book fields in these two countries before making judgements regarding the nature and influence of this potential “government mandate.”

The fact is: the U.S. has no government mandate, but a free market, that dictates what gets published and sold.  And what we have is usually an extremely U.S. or Western centric slate of titles year in and year out.  Any publisher is BRAVE enough to bring a couple of culturally unfamiliar, translated books into the U.S. market is praised, patted on the back, but rarely sees monetary success because of such courageous move.  (And why isn’t the Betchelder Award ever cites the Translator along with the Publisher.  Or for that matter, why aren’t translators’ names always prominently placed on the cover or title pages? That’s another whole blog post to come.)

As some of you know already, I am working with Candied Plums, a new children’s book imprint, to bring contemporary Chinese books to the U.S. There is no mandate from anyone or anywhere, except for the publisher’s and my desire to bring more cultural understanding and accessibility to the U.S. readers.  These picture books, in my opinion, do not promote the “Chinese/Communist Dogma,” nor do they convey any specific ideology except for displaying all ways that we can be human.  These books should be as popular in China as all the imported books.  So, perhaps, just perhaps, the publishers who have been working hard at publishing their #OWNVOICES would have a better chance at reaching their #OWNREADERS with this new, drastic mandate from the Government?

 

 

 

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Chinese/English Bilingual Books from Candied Plums

It’s FINALLY happening!!  So excited to report that the first group of books (20 titles) from Candied Plums, an imprint of Paper Republic, located in Seattle and Beijing, are finally available in the U.S. marketplace.

You can purchase the titles through Amazon or Baker and Taylor (and hopefully more venues in the immediate future.)

I have proudly served as Candied Plums consultant for the last year and a half and am impressed by the diligence and vision of those who venture into this new territory with me.  Manager Richard Li (Li Yun), editorial and rights coordinator Lisa Li (Li Xiaocui,) and editor Nancy Zhang (Zhang Tong) have poured their heart and soul into bringing the best contemporary children’s picture books to American readers: both Mandarin Learners and non-Chinese readers.  Some titles are available in both English and Bilingual Chinese (with English translation at the back of each book) versions while some are only available in Bilingual Chinese version.

Kirkus has reviewed some of titles and it seems that the reviewers all adore the stories and illustrations but worry about the fact that the English translation of the bilingual version does not appear along side the Chinese text.  This is a deliberate choice by the editorial team.  We want to present the books as close to their original version as possible while still giving the English readers a completely clear sense of what each page conveys.  It is a bold and risky choice — but perhaps it is also a chance for readers of all ages to get excited about something new and groundbreaking.  The company’s budding website will include companion audio recordings of each title.  I can see a fun library program where the librarian can play the audio version, stopping to translate each page with the provided English text, and give the young audience the pleasure of the storyline, the illustrations, and hearing an unfamiliar but widely used language in the world.

To give a bit of a taste of what the books are like, here are two titles and links to their reviews by Kirkus.

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Who Wants Candied Hawberries?

buddyannoying

Buddy is So Annoying

Candied Plums’ Winter 2016/2017 Catalog also offers detailed information, description, and language learning levels.

Please also visit the Candied Plums’ Website.  Spread the word and give us feedback so we can continue bringing the best of Chinese children’s books to American young readers, schools, libraries, and families.

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The Book of Dust Trilogy – Philip Pullman. I’m freaking out!

I kind of knew about this upcoming fantasy for a while but didn’t realize that it’s not just ONE book, but a TRILOGY.  Woot!

Can’t wait to have new words, new phrases, new characters, new magical experiences and new emotional responses to Pullman’s creation.  The world is a richer place because it contains His Dark Materials and the wisdom of Philip Pullman!

Read the Guardian article here:

Philip Pullman unveils epic fantasy trilogy The Book of Dust

willandlyraschair

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