Chew by John Layman, artwork by Rob Guillory
Not for the faint of heart or queasy of tummy. There are laugh-out-loud scenes and almost-puke-my-guts-out scenes. Definitely cannot read this and have a meal at the same time.
Since 2009, the series creative duo, Layman & Guillory, have brought us 50 installments and 10 collective volumes (August 2015) of this bizarre tale of a Chinese American FDA detective Tony Chu with a superhuman ability: Tony can bite into any once living organism and have vivid “recollection” of the scenes in that living organism’s life, including the circumstances surrounding its death. So, when he arrived on a murder scene, he is required to take a bite out of the corpse… But, wait, others also have strange abilities like, a food critic able to write reviews that make the readers actually “taste” the meal (including the terrible ones), a chocolate sculptor who can recreate any landmark in 100% accurate details, etc.
And then you have the U.S. Government’s top secret weapon, Poyo, a rooster with nuclear weapon power, other political conspiracies involving NASA and the aliens they deal with, and enough family and love drama to satisfy any soap opera aficionado. Yup. A crazy smorgasbord of gross but hilarious scenarios. I absolutely adore this series and can’t wait to read the rest of the collected volumes (planned 12, by mid-2016.)
One of the main reasons that I love Chew is my fondness of Guillory’s artistic style. And now I think of it, the series definitely fits #weneeddiversebooks movement very well — for older teens.
Meet the artist, Rob Guillory:
And Meet Tony Chu:
And see some of the unusual scenes for yourself:
Firefight by Brandon Sanderson (Reckoners, #2)
This second book in the Reckoners series reads like a complete story — with it central villain(s) being dealt with by the last chapter and secrets revealed. It also sets up the next book nicely, because those secrets will propel the conflict into grander scales. A thoroughly enjoyable book that did not go beyond my expectations, even when some “shocking truths” are exposed. Perhaps because I have been binging on Agents of S.H.I.E.L.D. as I read this book, and the two storylines share a lot of similarities especially when it comes to how the perceived good characters and those supposedly bad characters might turn out to be very different from what you have originally believed. So, I learned to mistrust all characters (even the narrator himself) until proven otherwise. This makes me wonder about the recent wild popularity of dystopian novels for young people and the central conflict rooted in a strong distrust of one’s government (or team, family, or friends, etc.)
I am all for critical thinking and questioning authority and demanding clear reasons and transparency when we are asked to behave in certain ways (and when we ask young people to follow certain rules and paths.) However, I often fear that we (as educators) are encouraging generations of young people to question everything every step of the way and mistrust those around them as the default form of interaction with the wider world. Once in a while, it would be so nice to simply just trust since I do believe that large portion of humanity is good.
by Susan Beth Pfeffer
I went into this book with a lot of trepidation — believe it or not, drastic gravitational changes to Earth by the altered distance between Moon and Earth was one of my all time environmental fears, probably from when I used to watch Twilight Zone as a kid. Pfeffer managed to tell the story with a pretty tame disaster setting: the town our heroine lived in has faced much milder impacts and although you hear about quite a bit of “the rest of world is disappearing and people have died everywhere,” you only experience her personal (and none of the immediate family members) losses a few times and the heroine’s reactions do not make the readers feel completely devastated. I thoroughly appreciated the author’s ability to show the shifting in priorities, attitudes, and family relationships as the story progresses.
This is a survival story that I can feel quite comfortable giving to 5th or 6th grade students, especially those who enjoy Hatchet.
by Joelle Charbonneau
I like this book partly because some of my students really took to the series and I can see why they love it. The different stages of the testing, the unflinching gruesomeness of certain deaths/acts, and the still unclear intentions of the Officials (and of some other characters’) at the end of the book (with a cliffhanger that makes you really want to read the next book) all make this a compelling and fast read. However, much of the book also feels quite derivative and pieced together from many other, better penned stories: Ender’s Game, Fahrenheit 451, The Enemy, or Battle Royale, that it probably will not be my top recommendation to some other students.
by Iain M. Banks
This second volume of The Culture series by Iain Banks kept me entranced throughout its sprawling telling of a brand new “universe” in my reading world.
Banks created a Utopian future where ownerships of objects, places, or people (as in, exclusive relationships) are no longer the norm and where sexual identities and preferences are all treated equal: in fact gender changes and and having partners in both genders are considered common place. In such a “Culture,” how do people entertain themselves and what matters and what matters not? Fun questions to ponder and explore. However, most of the story was set in the off world of Asad which bears similarities to our own human world — or perhaps the more barbaric ages of our world. Asad’s social structure is highly organized around rules and punishments — and there are some very cruel ways that criminals are dealt with (also what constitutes a “crime” can be quite shocking.)
I enjoyed reading the many theories of how the games are constructed and played and the author kept me guessing as to what the outcome would be. Thanks to my role playing game friend Brian who introduced me to this book! I’m onward to the first book of the series: Considering Phlebas.
by Neil Gaiman
This is typical Gaiman: disturbing and unsettling little scenes, interesting observations of human natures, everything floating in between waking and dreaming. My favorite are the longer tales, “The Truth Is A Cave in the Black Mountains,” “The Sleeper and the Spindle,” and “The Black Dog.” The first two are folk/fairy tale reimagined, while the last one is an American Gods’ short with Shadow’s adventures continuing. Another small dosage to hold us over for the sequel to American Gods? Calendar of Tales with its many weird crowd sourced tales is also highly enjoyable. Oh, I can’t wait to actually WATCH a special episode (of the 11th doctor and Amy Pond) made based on “Nothing O’Clock.”
The War of the Worlds by H.G. Wells
Even though there were passages and descriptions that are overly lengthy, as a whole, the story moves at an effective and at times breathless pace. Highly affecting! I am so impressed with how it set up so many prototypes, from physical descriptions to potential advanced technologies, for modern alien/alien invasion stories. A real classic!